I was the only foreigner on the bus to Palmyra and I really started to feel my appalling lack of Arabic. The entire bus ticket was in arabic so I just showed it to every person I saw and said "Palmyra?" repeatedly until someone showed me to my bus. Some lovely ladies on the bus happily showed me to my seat and even let me hold their small children for a short while. I then got out my phrase book and spent the remaining 40 minutes until the bus left partaking in complex and sophisticated communication that resulted in an exchange of nationalities, names and destinations. I was most proud of figuring out how to say "Your baby, beautiful" but I don't think my language skills are quite up to diplomatic levels just yet.
When the bus finally started moving a guy came round to check our tickets. He was most displeased with mine and I thought I was on the wrong bus until he repeated "police" and mimed stamping my ticket several times. I just shrugged and then he indicated I should follow him off the bus. It turned out that I had neglected to get my ticket stamped by a police officer and a young boy was instructed to accompany me to get this rectified before the bus left. My bus had already started driving slowly off through the depot at this point and I was pretty worried that my big pack was off to Palmyra without me. We had been told to run so we took off weaving through several hundred buses in the depot and after 5 minutes came to an abrupt halt. Thank god I had my young guide with me because how on earth anyone was supposed to identify the rather non-descript man sitting at a table in front of us as I policeman was beyond me. Anyway he roughly stamped my ticket so it now had a blue smudge on it and we took off again to find the bus. The driver seemed very happy with my blue smudge and soon we were heading off through the desert towards Palmyra.
The ruins at Palmyra stretch over an impressively large area and there is no better way to take in the scope and beauty of the sight than by visiting the citadel, high on the hill, at sunset. You can see the vast expanse of sandy desert, the nearby valley dotted with tombs, the long colannaded street of the roman ruins with the Temple of Bel and the palm groves stretching out in the far distance. The situation in Syria has meant that many tourists have left the country and no where has this been more apparent than at locations that only exist to service tourists, like Palmyra. At the citadel I met the most persistent souvenir sellers I have encountered thus far in the middle east. My frequent repetition of "La, shukran" (no thankyou) was met with cries of "No tourists for 5 days" and "Why you not buy? Because I am Bedouin?".
By far the highlight of my time in Palmyra was the excellent company I had from my fellow guests and the host at the Al Faris hotel. The guests were a young frenchman who was living in Latakia with his wife, an older french couple (who are the frenchman's parents in law) and the lovely latvian Kristine and her czech partner Jan (diplomats living in Brussels). The hotel was a recommendation from Barbara and its location, directly opposite the ruins on the road that lead to the citadel, could not have been more perfect. We shared breakfasts and dinners sitting at the communal table in the front garden and enjoyed the entertaining company of our host Mohammed almost as much as his mother's outstanding cooking.
After dinner each night, we relaxed with glasses of arak while Mohammed tried to teach us rude words in arabic and would always challenge any females present to play the coin game with him. The loser of the game would have to dance on the table, which was why our host only ever wanted to play against the females. Mohammed would fold a tissue and place it over the top of a glass. He would then place a coin in the middle of the tissue. The players had to take turns using a cigarette to burn small holes in the tissue, and the loser was the player who made the burn that caused the coin to fall through the tissue into the glass. The quality of a particular game was judged by how many cigarettes were used before the coin fell. The game is very entertaining as it progresses and the players take longer and longer to decide where to place their burns. In the final stages when the coin is held aloft by a few tiny shreds of tissue each new burn is met with "oooohhh"'s and "aahhhh"s from the spectators. I played the first night and won - and despite much protesting Mohammed did not dance on the table (he promised to do so the following night). Kristine lost her match the following night but in the end we all got up and had a great time dancing in the lounge inside the hotel.
The upside of the lack of tourists was that when I set out to explore the vast ruins the second day, I had large sections of the site completely to myself for half hour stretches of time. Palmyra is certainly the largest area of roman ruins I have seen so far, and their location, rising out of the desert next to an oasis, lends them an eerie atmosphere of a city abandoned. I've discovered that whilst I find deserts interesting places to visit, I start to feel a bit unsettled if I'm there for more than a couple of days. Something about the vast emptiness, quiet and lack of greenery unnerves me a bit - and so whilst I was sad to say goodbye to Kristine and Jan, I was quite happy to make my way to Hama after 3 days at Palmyra.
Given that most of the large demonstrations, and subsequent troubles, occur after midday prayers on Fridays - I had planned to arrive in Hama on Thursday, buy some supplies, and hole up in the my hotel for much of Friday. The Riad hotel was the perfect place to execute my plan as it is run by the very outgoing Abdullah (whose Aussie accent is so good I thought he was from Australia) and I managed to get a cheap room with a TV there.
In the end I joined an early tour to the majestic Crac des Chevaliers on Friday and spent a lovely morning exploring the crusader castle and enjoying the spectacular views from its ramparts in the company of a japanese backpacker, an energetic German lady called Irene and a surly South African guy. The South African had been living in the UK and was so overwhelmingly negative and pesimistic that he provided much entertainment for Irene and myself throughout the morning. Some of Mr Wet Blanket's pearls of wisdom were:
"I HATE the English. They are all so spoilt"
"Don't bother going to the Dead Cities - they're lame"
and upon hearing from our driver that we would have two hours to explore the Crac des Chevaliers, "Oh really?! (Sigh) I won't need more than 10 minutes."
Of course he was the last of us back to the car after more than two hours and Irene couldn't help but comment, "Gee, that was a long ten minutes!"
We got back to Hama just before midday and the streets were so deserted that I half expected to see tumbleweed. Thankfully there were no serious clashes on that Friday and I had a very pleasant afternoon enjoying a picnic of bananas, nuts and chocolate on my bed as I watched the Royal Wedding on BBC World.
In the days that followed I relaxed walking by the river and sitting in the lovely gardens in the centre of Hama. Everywhere I went I was met with a chorus of groans from the many norias (giant wooden water wheels) that line the river in, and around Hama. The norias still operating in Hama date back to the 12th century but in the museum I saw a mosaic from the 4th century which depicted a water wheel - so it seems as though they have been a feature of the region for quite some time. The mournful groaning sound comes from the friction between the wooden wheels and the blocks they are mounted on and my favourite times of day occurred when the groans from the norias battled for supremacy with the calls to prayer from the local mosques. The largest of the norias is more than 20m in diameter and on warm days I saw that the cool water and the thrilling height lured a few local teenage boys who climbed into the wheels, rode around to the top and jumped off into the river.
While based in Hama I also took a day trip to visit the citadel of Shayzar, Apamea, the dead cities of Al-Bara and Serjilla as well as the mosaic museum. Given my usual snail pace for sight seeing (visit a single sight, then rest up for 3 days) this schedule was a bit full on for me but in the end price and convenience won me over and I joined the tour with two swiss ladies and a russian gentleman.
Prior to getting in the car that day, I had not even heard of the citadel of Shayzar and was rather shocked to see how gorgeous the remains of this 10th century fortification were. The citadel is perched on a rocky hill and towers over a small town on one side and a stunning river gorge on the other. The ruins were covered in wildflowers and the surrounding landscape, not to mention the presence of thousands of flowers that bore an uncanny resemblance to the scottish thistle, brought back wonderful memories of the highlands.
The scenery at Apamea was no less striking, as these roman ruins are located high on a grassy moor. On the day we visited we had the entire 2km of Apamea's cardo (colonnaded main street) to ourselves. Looking out through the columns at a sea of red poppies in the surrounding fields was a sight that will stay with me always. Contrary to the surly South African's prediction, I also loved wandering around the abandoned buildings and tombs of Serjilla and Al-Bara. I loved that the ancient tombs were dotted around rocky olive groves, vinyards and apricot plantations. The houses, inns and hammams in Serjilla are in remarkably good condition given that they haven't been inhabited for some 15 centuries! Our only company at the site was a local family and, after hearing where I was from, the father took great delight in getting his children to show off their English to me by reciting the alphabet and counting to 10 several times each. My clapping seemed to extend the performance, rather than end it, and I'm not sure how I would have made a polite exist had our driver not started honking the horn indicating that it was time to leave.
Our last stop for the day was the mosaic museum and it did not disappoint. I was particularly taken with an enormous animal scene mosaic, in which the animals all had very detailed facial expressions. Being able to clearly depict a look of utter defeat on the face of an ox, using only the medium of tile, must be a rare gift for an artist. As with the last three museums I have visited, we had the place to ourselves which meant that each room had to be unlocked and the lights turned on before we could enter. My visit to the museum in Hama had obviously interrupted someone's morning tea as turing my head, even momentarily, away from a particular display resulted in the lights being immediately turned off by the impatient curator at the door!
When the bus finally started moving a guy came round to check our tickets. He was most displeased with mine and I thought I was on the wrong bus until he repeated "police" and mimed stamping my ticket several times. I just shrugged and then he indicated I should follow him off the bus. It turned out that I had neglected to get my ticket stamped by a police officer and a young boy was instructed to accompany me to get this rectified before the bus left. My bus had already started driving slowly off through the depot at this point and I was pretty worried that my big pack was off to Palmyra without me. We had been told to run so we took off weaving through several hundred buses in the depot and after 5 minutes came to an abrupt halt. Thank god I had my young guide with me because how on earth anyone was supposed to identify the rather non-descript man sitting at a table in front of us as I policeman was beyond me. Anyway he roughly stamped my ticket so it now had a blue smudge on it and we took off again to find the bus. The driver seemed very happy with my blue smudge and soon we were heading off through the desert towards Palmyra.
The ruins at Palmyra stretch over an impressively large area and there is no better way to take in the scope and beauty of the sight than by visiting the citadel, high on the hill, at sunset. You can see the vast expanse of sandy desert, the nearby valley dotted with tombs, the long colannaded street of the roman ruins with the Temple of Bel and the palm groves stretching out in the far distance. The situation in Syria has meant that many tourists have left the country and no where has this been more apparent than at locations that only exist to service tourists, like Palmyra. At the citadel I met the most persistent souvenir sellers I have encountered thus far in the middle east. My frequent repetition of "La, shukran" (no thankyou) was met with cries of "No tourists for 5 days" and "Why you not buy? Because I am Bedouin?".
By far the highlight of my time in Palmyra was the excellent company I had from my fellow guests and the host at the Al Faris hotel. The guests were a young frenchman who was living in Latakia with his wife, an older french couple (who are the frenchman's parents in law) and the lovely latvian Kristine and her czech partner Jan (diplomats living in Brussels). The hotel was a recommendation from Barbara and its location, directly opposite the ruins on the road that lead to the citadel, could not have been more perfect. We shared breakfasts and dinners sitting at the communal table in the front garden and enjoyed the entertaining company of our host Mohammed almost as much as his mother's outstanding cooking.
After dinner each night, we relaxed with glasses of arak while Mohammed tried to teach us rude words in arabic and would always challenge any females present to play the coin game with him. The loser of the game would have to dance on the table, which was why our host only ever wanted to play against the females. Mohammed would fold a tissue and place it over the top of a glass. He would then place a coin in the middle of the tissue. The players had to take turns using a cigarette to burn small holes in the tissue, and the loser was the player who made the burn that caused the coin to fall through the tissue into the glass. The quality of a particular game was judged by how many cigarettes were used before the coin fell. The game is very entertaining as it progresses and the players take longer and longer to decide where to place their burns. In the final stages when the coin is held aloft by a few tiny shreds of tissue each new burn is met with "oooohhh"'s and "aahhhh"s from the spectators. I played the first night and won - and despite much protesting Mohammed did not dance on the table (he promised to do so the following night). Kristine lost her match the following night but in the end we all got up and had a great time dancing in the lounge inside the hotel.
The upside of the lack of tourists was that when I set out to explore the vast ruins the second day, I had large sections of the site completely to myself for half hour stretches of time. Palmyra is certainly the largest area of roman ruins I have seen so far, and their location, rising out of the desert next to an oasis, lends them an eerie atmosphere of a city abandoned. I've discovered that whilst I find deserts interesting places to visit, I start to feel a bit unsettled if I'm there for more than a couple of days. Something about the vast emptiness, quiet and lack of greenery unnerves me a bit - and so whilst I was sad to say goodbye to Kristine and Jan, I was quite happy to make my way to Hama after 3 days at Palmyra.
Given that most of the large demonstrations, and subsequent troubles, occur after midday prayers on Fridays - I had planned to arrive in Hama on Thursday, buy some supplies, and hole up in the my hotel for much of Friday. The Riad hotel was the perfect place to execute my plan as it is run by the very outgoing Abdullah (whose Aussie accent is so good I thought he was from Australia) and I managed to get a cheap room with a TV there.
In the end I joined an early tour to the majestic Crac des Chevaliers on Friday and spent a lovely morning exploring the crusader castle and enjoying the spectacular views from its ramparts in the company of a japanese backpacker, an energetic German lady called Irene and a surly South African guy. The South African had been living in the UK and was so overwhelmingly negative and pesimistic that he provided much entertainment for Irene and myself throughout the morning. Some of Mr Wet Blanket's pearls of wisdom were:
"I HATE the English. They are all so spoilt"
"Don't bother going to the Dead Cities - they're lame"
and upon hearing from our driver that we would have two hours to explore the Crac des Chevaliers, "Oh really?! (Sigh) I won't need more than 10 minutes."
Of course he was the last of us back to the car after more than two hours and Irene couldn't help but comment, "Gee, that was a long ten minutes!"
We got back to Hama just before midday and the streets were so deserted that I half expected to see tumbleweed. Thankfully there were no serious clashes on that Friday and I had a very pleasant afternoon enjoying a picnic of bananas, nuts and chocolate on my bed as I watched the Royal Wedding on BBC World.
In the days that followed I relaxed walking by the river and sitting in the lovely gardens in the centre of Hama. Everywhere I went I was met with a chorus of groans from the many norias (giant wooden water wheels) that line the river in, and around Hama. The norias still operating in Hama date back to the 12th century but in the museum I saw a mosaic from the 4th century which depicted a water wheel - so it seems as though they have been a feature of the region for quite some time. The mournful groaning sound comes from the friction between the wooden wheels and the blocks they are mounted on and my favourite times of day occurred when the groans from the norias battled for supremacy with the calls to prayer from the local mosques. The largest of the norias is more than 20m in diameter and on warm days I saw that the cool water and the thrilling height lured a few local teenage boys who climbed into the wheels, rode around to the top and jumped off into the river.
While based in Hama I also took a day trip to visit the citadel of Shayzar, Apamea, the dead cities of Al-Bara and Serjilla as well as the mosaic museum. Given my usual snail pace for sight seeing (visit a single sight, then rest up for 3 days) this schedule was a bit full on for me but in the end price and convenience won me over and I joined the tour with two swiss ladies and a russian gentleman.
Prior to getting in the car that day, I had not even heard of the citadel of Shayzar and was rather shocked to see how gorgeous the remains of this 10th century fortification were. The citadel is perched on a rocky hill and towers over a small town on one side and a stunning river gorge on the other. The ruins were covered in wildflowers and the surrounding landscape, not to mention the presence of thousands of flowers that bore an uncanny resemblance to the scottish thistle, brought back wonderful memories of the highlands.
The scenery at Apamea was no less striking, as these roman ruins are located high on a grassy moor. On the day we visited we had the entire 2km of Apamea's cardo (colonnaded main street) to ourselves. Looking out through the columns at a sea of red poppies in the surrounding fields was a sight that will stay with me always. Contrary to the surly South African's prediction, I also loved wandering around the abandoned buildings and tombs of Serjilla and Al-Bara. I loved that the ancient tombs were dotted around rocky olive groves, vinyards and apricot plantations. The houses, inns and hammams in Serjilla are in remarkably good condition given that they haven't been inhabited for some 15 centuries! Our only company at the site was a local family and, after hearing where I was from, the father took great delight in getting his children to show off their English to me by reciting the alphabet and counting to 10 several times each. My clapping seemed to extend the performance, rather than end it, and I'm not sure how I would have made a polite exist had our driver not started honking the horn indicating that it was time to leave.
Our last stop for the day was the mosaic museum and it did not disappoint. I was particularly taken with an enormous animal scene mosaic, in which the animals all had very detailed facial expressions. Being able to clearly depict a look of utter defeat on the face of an ox, using only the medium of tile, must be a rare gift for an artist. As with the last three museums I have visited, we had the place to ourselves which meant that each room had to be unlocked and the lights turned on before we could enter. My visit to the museum in Hama had obviously interrupted someone's morning tea as turing my head, even momentarily, away from a particular display resulted in the lights being immediately turned off by the impatient curator at the door!
